Marcus and Levi Hummon reimagine ‘Bless the Broken Road’ in intimate duet
More than two decades after its original release, “Bless the Broken Road” returns in a form that feels both deeply personal and quietly powerful. Grammy-winning
VINAI Is Back Via Smash The House For An Electric Big Room Anthem, ‘Here We Go’
VINAI are returning to Smash The House with their latest release ‘Here We Go’, a track that gets the blood pumping through your veins and sparks an electricity through its high- power atmosphere.
‘Feel Feel Touch Touch’ by Contenance features a Marco Weber remix
Marco Weber adds his touch to Contenance’s ‘Feel Feel Touch Touch’: joining the project with his own remix, he brings his signature grooves to the
Fred Presley finds urgency and purpose in ‘Sympathize,’ a timely call for awareness and change
Fred Presley’s “Sympathize” does not feel like a song arriving late. It feels like a song that waited for the right moment to land, and
Lina Maxine releases ‘Feels Like Forever’
Lina Maxine’s “Feels Like Forever” feels less like a debut moment and more like a quiet arrival into something fully realized. There is an intentionality
Eels! Eels ! Eels! drop debut EP Eel Land
Photo by Stuart Peach Alt-rock trio Eels! Eels! Eels! have shared their debut EP Eel Land, featuring the track ‘Owls’. The band strikes up a
Sweet Unrest share fuzzy new single ‘All The Same’
Photo by Farris Simmons Sweet Unrest have shared a brand new tune, ‘All The Same’, released in the wake of the London five-piece’s recent US
Plain Mister Smith channels art and introspection on ‘Lucian & Francis’
Ever-elusive indie auteur Plain Mister Smith unveils his latest single, ‘Lucian & Francis’, featuring Californian songwriter and guitarist Tyson Mostenbocker. Released on 27 March 2026
Cheerful music SXSW panel recap – the faster AI evolves, the more valuable human-created music becomes
Acclaimed record label Cheerful Music, recently participated in a key panel discussion at renowned festival and conference SXSW, in Austin, Texas. The label, which was
Marshall Oakman delivers a catchy, empowering anthem with ‘She’s No Doll, She’s A Woman’
Marshall Oakman’s She’s No Doll, She’s A Woman lands with a confidence that feels both seasoned and refreshingly immediate, proving once again that his songwriting
Eivind Buene’s Personal Best redefines contemporary classical music
Norwegian composer and vocalist Eivind Buene returns with Personal Best, a striking new album that pushes the boundaries of contemporary classical music. Released via LAWO
Love is dead, long live the ghost: Liya Shapiro’s ‘Another Woman’ bleeds beautiful
There’s a particular kind of heartbreak that doesn’t scream—it lingers. It sits in the corner of the room like a cigarette still burning in an
Toomy Disco lands on KOOKOO with ‘No Luv’
Toomy Disco presents No Luv, a four-track EP that captures his timeless approach to house music, shaped by years behind the decks and a deep
Paul Archer finds light beyond fear on uplifting indie anthem ‘No Fear’
With “No Fear,” Northern Irish singer-songwriter Paul Archer delivers a moment of clarity and uplift, pairing a life-affirming message with a sound that feels both
‘Tristar’ begins with smooth and soulful vocals that flow alongside a stirring guitar arrangement and catchy instrumentals, as Black Orchid Empire give life to this grungy and energetic track
Black Orchid Empire create huge, memorable rock music that combines heavy-hitting savagery with intense melodic beauty. Their technical, fearlessly complex grooves and gigantic sing-along choruses
